It was a disappointment because I had some older ProCo cables that had G&H plugs and were utterly rugged. Yeah, I know it's not the way to treat a cable, but bass gear that has to be handled so delicately doesn't belong on a gig. I am betting that I dropped the other plug on its nose by accident, and it got pushed into the handle. The plug element is just squeezed onto the cable, then the whole thing is pressed into the handle. Below that is the plug from the other end of the cable, taken apart. Somehow I noticed that the shaft of the plug was shorter than a typical plug. I got a new ProCo cable, used it for a few gigs, then noticed that one of the plugs was slipping out of the jack on my bass. Let me tell a cable story, accompanied by a picture. If they have improved their designs, then they probably have a fine product. Then there are quality factors such as shielding, flexibility, lack of microphonics (most instrument cables employ the same basic design to avoid this effect) connector quality, cosmetics, and construction.Įarly Monster Cable instrument cables had plugs that fell apart - I have seen those. The effect is a loss of treble, but I always dial down the treble knob on my bass anyway. No self respecting engineer in this day and age would design a high impedance passive pickup driving a capacitive cable, but it is what most of us have lived with, and it's OK. At the level of typical cables, it doesn't even affect piezo upright bass pickups. Note in edit: I don't know if the effect of capacitance is audible, but at least it should be measurable.Ĭapacitance only matters if you have a passive electric bass. It is, arguably the worst cable money can buy. Also, cables made up from fancy quad microphone cable get you up into the 60-80 pF/ft territory. The lone exception I am aware of is George L, which is around 20 pF/ft. Most instrument cables have roughly 40 to 50 picofarads per foot (pF/ft), so they are "the same" in terms of tone. size: W406xH191xD102 weight: 2,900 g of Unit constitution: 5.25 inches of mid base x1 2.75 inches toe eater x2 wattage: 75W Bluetooth.ver: 4.The "sound" of bass cables is entirely determined by capacitance, which in turn is a function of capacitance per unit length, and the overall length. ■ NFC correspondence ■ TOSLINK terminal for TV ■ Mobile device, Universal Serial Bus port for the charge ■ Analog voice inputting ■ A support file: MP3,WAV,PCM,FLAC ■ As I give a sound source-response response again in WPS, 24bit 192kH high resolution is available for Wi-Fi setting by a one push. Setting is possible (I download it from Google Play,App Store) and easily drains the making of the playlist and a different music distribution service with each speaker using application using exclusive "MONSTER SOUNDSTAGE" application, and there is easily control in smartphone one. In addition, I cope with music streaming services such as Spotify which started service in Japan from September. Buy one and get a spare (and then some) for the same price as one of either Mogami or Monster. The biggest characteristic is equipped with AllPlayTM SmartMedia platform of Qualcomm(R] and regenerates music at the same time in plural rooms and can play separate music from one device in each room. Both Mogami and Monster are overinflated simply because they've been good at marketing their name. The slender, slim design matches living, a kitchen, every scene including the bedroom. He/she gives a sense of reality that is in the totally live venue. I developed premium wireless speaker "Soundstage" corresponding to Wi-Fi and Bluetooth for the purpose of expressing clear and a rich low tone in the distinctness that an artist aimed at at the time of recording precisely in a good balance.
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